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New twist in real identity of "elderly" shoplifter

New details have emerged after an "elderly" woman was photographed after allegedly being targeted by police for <a href="https://oversixty.com.au/finance/legal/old-woman-targeted-and-accused-of-shoplifting" target="_blank" rel="noopener">shoplifting</a>. The original photo, which was shared to X, showed an older woman standing outside a Coles supermarket, while two officers sifted through her groceries to check she wasn't stealing. The post garnered widespread outrage, with many people leaping to the woman's defence and calling for people to "boycott Woolies and Coles". Now, it turns out that the shopper wasn't an old woman at all, but a 32-year-old woman dressing to appear older. According to reports from <a href="https://7news.com.au/lifestyle/new-twist-after-photo-of-elderly-coles-shopper-being-stopped-by-police-sparks-furious-reaction-c-14356492" target="_blank" rel="noopener">7News</a>, the woman was impersonating an elderly shopper during the trip to Coles and was discovered with a significant amount of groceries. Victoria Police confirmed they were called to the supermarket, and issued the woman with a caution for shoplifting. “Police responded to reports of shoplifting at a centre in Richmond about 3.30pm on 17 April,” police said. “Officers arrived to discover a woman had been detained on the ground by a loss prevention officer employed by the store. Police separated the parties and spoke with a 32-year-old woman from Glenroy who was cautioned for shoplifting.” In the initial post to social media, the bystander took aim at Coles and Victoria Police for targeting the shopper, who they believed was elderly, describing her apprehension as “forcible”. “I told the police that I’ll pay for her food and let her go and then I got threatened with being arrested for ‘obstructing police’,”the X user said In further posts, the bystander made even more serious allegations about the incident. “When I intervened to help the lady I then got threatened by the police of being arrested for ‘obstructing a police matter’,” they posted. Image credits: X (Twitter)

Legal

Heartless theft from "Garden of Little Angels"

In a despicable act of heartlessness, dozens of bronze plaques dedicated to children have been stolen from a memorial park in Melbourne's southwest. The theft not only deprives grieving families of precious mementos but also desecrates a sacred space meant to honour the memory of lost loved ones. Victoria police were alerted to the crime when it was discovered that 75 plaques had been taken from Altona Memorial Park on Doherty’s Road. These plaques, erected in the "Garden of Little Angels", were loving tributes from families who had lost children, serving as symbols of remembrance and healing for those who visit the park. The theft, which occurred sometime between March 12 and 13, has left the community shocked and appalled. It is a violation not only of property but of the sanctity of a space meant for solace and reflection. The perpetrators have callously disregarded the pain of grieving families and the significance of the memorial to the community. In response to this reprehensible act, detectives have issued a warning to scrap metal dealers in the area to remain vigilant against any attempts to sell the stolen plaques. These plaques, though they may hold some monetary value as scrap metal, are priceless to the families who placed them in the memorial park, with their sentimental worth far outweighing any material gain. The police are actively investigating the theft and are urging anyone with information to come forward. The return of the stolen plaques to their rightful place is paramount in restoring a sense of peace and closure to the families affected by this crime. Images: Altona Memorial Park

Legal

Thief returns stolen truck with note of apology – and gifts!

In the bustling world of Auckland cafés, where flat whites and smashed avocados reign supreme, one café owner recently found himself entangled in a plot that could rival a sitcom script. Varun Chada, the proud owner of Kati Street, had his beloved 4WD truck snatched right out from under his nose, leaving him in a state of disbelief that could only be rivalled by a magician's audience. Picture this: a sunny afternoon, the aroma of freshly brewed coffee wafting through the air, and Chada minding his own business when, suddenly, his trusty truck disappeared faster than a piece of cake at a weight loss support group meeting. The audacity! The cheek! Someone had the gall to pull off a vehicular heist right outside his beloved eatery. But it gets better. Four days later, as if the universe had decided to play a cosmic prank on poor Varun, the stolen truck made a triumphant return. Parked in the exact same spot, as if it had never embarked on a wild joyride. It was like the vehicular version of Houdini's vanishing act, only with less smoke and mirrors and more caffeinated confusion. To add a sprinkle of absurdity to the mix, the returned truck came with a heartfelt, handwritten letter of apology. Now, we applaud any criminal with the decency to apologise, but it seems this particular ne'er-do-well could use a grammar lesson or two. The apology note featured the word "sorry", albeit with a creative twist on spelling that would make any English teacher cringe. “I couldn’t believe it,” Chada <a href="https://www.nzherald.co.nz/nz/watch-cafe-owners-stolen-truck-returned-with-sorry-note/VTWKKMRGR5AOTNIQGJNKBP6H7E/" target="_blank" rel="noopener">told The NZ Herald</a>. "The first time I thought I was losing my mind because I’d just walked inside, and the second time I rocked up, and it was parked there." As it turns out, the thief, in an attempt to excuse their vehicular misdeed, claimed to be a bit 'drunk' and in desperate need of a ride home. Because, you know, grand theft auto is a completely acceptable solution to a night out with one too many beers. "It was exactly where I’d parked it," Chada explained, "and I walked up to the window and there was a note inside it saying ‘hey mate sorry but I borrowed your car, was a bit drunk’ and none of us could believe it." But here's the twist that turns this tale into a comedy goldmine – the thief not only returned the truck unscathed but also left some new toys in the back for Chada's young son! It's like they momentarily transformed from a rogue car bandit to the world's most peculiar Santa Claus. Despite the surreal nature of the ordeal, Chada seems to be taking it all in stride. “I’m not condoning what they did is fine, but I mean, they gave it back and they said sorry, so, I don’t know, I’m just stoked to get it back, put it that way.” The saga has become the talk of the town, with Chada's Facebook and community pages buzzing with activity. Social media, the modern-day town square, has played a pivotal role in the unfolding drama, with hundreds of likes, shares and comments turning the café owner into an unintentional social media influencer. As for the truck, it's currently parked at Chada's house, awaiting the forensic scrutiny of the police. The investigation continues, but in the meantime, Aucklanders are left scratching their heads, wondering if their next caffeine fix might come with a side of unexpected vehicular shenanigans. Images: Facebook

Legal

How mistaken identity can lead to wrongful convictions

<a href="https://theconversation.com/profiles/hayley-cullen-423538">Hayley Cullen</a>, <a href="https://theconversation.com/institutions/macquarie-university-1174">Macquarie University</a> In March 1976, American Leonard Mack was convicted of sexual assault and holding two female victims at gunpoint. In September 2023, Mack’s wrongful conviction was finally overturned by a New York judge on his 72nd birthday with the help of the <a href="https://innocenceproject.org/news/hit-in-dna-database-proves-leonard-macks-innocence-after-47-years-of-wrongful-conviction/">Innocence Project</a>, an organisation that uses DNA evidence to prove factual innocence. Mack’s conviction took 47 years to overturn. He served seven-and-a-half of these years in a New York prison. His case is the <a href="https://innocenceproject.org/news/8-moving-moments-from-leonard-macks-historic-exoneration-after-47-years/">longest</a> in United States history to be overturned using DNA evidence. In June 2023, a similar historic moment occurred in Australia. Kathleen Folbigg was <a href="https://www.theguardian.com/australia-news/2023/jun/05/kathleen-folbigg-pardoned-after-20-years-in-jail-over-deaths-of-her-four-children">pardoned and released</a> after 20 years in prison for the murder and manslaughter of her four young children. Considered one of the <a href="https://www.smh.com.au/national/nsw/folbigg-release-would-make-chamberlain-case-pale-into-insignificance-20230307-p5cpya.html">worst miscarriages of justice</a> in Australian history, Folbigg’s release has sparked discussion over whether Australia needs a <a href="https://www.theguardian.com/australia-news/2023/jun/12/not-a-rare-case-kathleen-folbigg-pardon-sparks-calls-for-new-body-to-review-possible-wrongful-convictions">formalised body</a> to deal with post-conviction appeals. Mack and Folbigg are only two individuals on different sides of the world who have spent decades fighting to prove their innocence. Many others are still fighting. The prevalence of wrongful convictions is hard to determine. The <a href="https://www.law.umich.edu/special/exoneration/Pages/about.aspx">National Registry of Exonerations</a> in the United States has recorded 3,396 exonerations nation-wide since 1989. But data on official exonerations fail to capture the many individuals whose convictions are yet to be overturned. Estimates of the prevalence of wrongful convictions in the United States range from <a href="https://journals.sagepub.com/doi/pdf/10.1177/08874034221106747?casa_token=DL_gPkxNcI8AAAAA:uI-en9junmLXXScDGthXAuC9JcLsxp5OF1J4QB1WdA2L2cZRcwRuwtxVmIMiKYbYaSDj_ji4EdPSLA">0.5 to 5%</a>. The exact prevalence in Australia is less clear but we do know <a href="https://search.informit.org/doi/pdf/10.3316/informit.801706351305383?casa_token=cpZBfZmh944AAAAA%3Ax_zYUlnogLjuDWl81jc38vmeOovzw44M171rP7G3ibNnU35rvWS0yeIO_Ad0eBa54nE54KxaKzIb3w4">71 cases of wrongful convictions</a> have been identified in Australia between 1922 to 2015. Some have argued there could be <a href="https://search.informit.org/doi/pdf/10.3316/informit.308199161216493">350 convictions per year</a> of individuals who are factually innocent in Australia. A witness mistakenly identifying an innocent suspect is common in many wrongful conviction cases. Eyewitness misidentification is the leading contributing factor in wrongful convictions overturned by the <a href="https://innocenceproject.org/exonerations-data/">Innocence Project</a>, present in 64% of their successful cases. In Australia, <a href="https://search.informit.org/doi/pdf/10.3316/informit.801706351305383?casa_token=cpZBfZmh944AAAAA%3Ax_zYUlnogLjuDWl81jc38vmeOovzw44M171rP7G3ibNnU35rvWS0yeIO_Ad0eBa54nE54KxaKzIb3w4">6%</a> of recorded wrongful convictions involved an eyewitness error. This may be an underestimate given many applications to innocence initiatives in Australia alleging wrongful conviction, such as the <a href="https://bohii.net/">Bridge of Hope Innocence Initiative</a>, report <a href="https://bohii.net/blog/positiononestablishingccrcas">eyewitness evidence</a> as a potential contributing factor. In Mack’s case, two victims misidentified him as the perpetrator. These identifications proved to be instrumental in his wrongful conviction. How did the two victims get it wrong? <h2>How problematic procedures influence eyewitnesses</h2> Eyewitness identification evidence relies on witnesses to accurately remember criminal perpetrators. Several factors affect eyewitness memory accuracy. Features of the crime can impact memory, such as whether it was light or dark, or whether the perpetrator wore a disguise. Memory can also be affected by characteristics of the witness at the time of the crime, such as their stress or intoxication levels. These factors are present at the time of the crime and cannot be changed. What is perhaps more crucial is that eyewitness memory can also be affected by the procedures law enforcement use to collect identification evidence. In <a href="https://innocenceproject.org/news/hit-in-dna-database-proves-leonard-macks-innocence-after-47-years-of-wrongful-conviction/">Mack’s case</a>, there were serious problems with the procedures used to get the identifications from the victims. One of the victims made three separate identifications of Mack. Witnesses should only complete one identification procedure for each suspect, because the first identification will bias future identification attempts. For two of the identifications the victim made, she was only shown Mack by himself surrounded by police. Showing a lone suspect without any other lineup members may <a href="https://link.springer.com/chapter/10.1007/978-3-319-29406-3_2">increase mistaken identifications</a>, particularly when the context in which they are shown is highly suggestive. Seeing Mack in handcuffs and in the presence of police may have led the victim to identify him. Mack was the only person shown to the witness in these identification attempts, so the police officers organising the process knew he was the suspect. “Single-blind” administration of identification procedures – where the police officers organising the lineup know who the suspect is – increase the likelihood of <a href="https://psycnet.apa.org/record/2017-49224-002">mistaken identifications</a>. For the other identification this victim made, she picked Mack out of a photo lineup containing seven images. Mack’s photo was the only photo in the lineup that contained visible clothing and the year (1975) in the background. All members of a lineup must be matched and no one lineup member <a href="https://www.apa.org/pubs/journals/releases/lhb-lhb0000359.pdf">should stand out</a>, but Mack’s photo was distinct. With all these problematic practices combined, we can see how Mack was misidentified and convicted. In 2020, a team of eyewitness experts published <a href="https://www.apa.org/pubs/journals/releases/lhb-lhb0000359.pdf">nine evidence-based recommendations </a>for conducting identification procedures. These recommendations serve to reduce mistaken identifications and enhance accurate ones. The recommendations address the problematic practices in Mack’s case, but also include things like making sure there is sufficient evidence to place a suspect in a lineup, and giving appropriate instructions to witnesses during the procedure. Identification procedures should also be video recorded to identify any poor practices. While these recommendations will go a long way to reducing wrongful convictions resulting from faulty eyewitness identifications, they will only be effective if followed by police. The next step is ensuring these recommendations are embedded into everyday policing practice.<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/214844/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /> <a href="https://theconversation.com/profiles/hayley-cullen-423538">Hayley Cullen</a>, Lecturer, <a href="https://theconversation.com/institutions/macquarie-university-1174">Macquarie University</a> Image credits: Shutterstock This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/how-mistaken-identity-can-lead-to-wrongful-convictions-214844">original article</a>.

Legal

Woman's identity confirmed after tragic death on Qatar Airways flight

Sharon Gordon has been identified as the woman who died on board a Qatar Airways flight from Doha to Sydney over the weekend. The 60-year-old was a customer service station attendant at Wynyard Station, and was on a solo flight home after visiting her daughter in London. Halfway into the 14-hour flight, Gordon had reportedly started gasping and was found unresponsive. Another passenger, her husband and baby were seated a row in front of Gordon, when they heard her making a "weird noise". The female passenger was woken by the noise and had to look around in the dark to figure out what was going on. “She looked like she was sleeping, but she was making this really loud noise,” she told 7News. She claimed that a stewardess checked on Gordon, before two more joined her and brought oxygen. “But then they just left,” the female passenger added. The couple claimed that they were told by staff that “everything was all right," but “you could see she wasn’t breathing." Around 20 minutes later, four different stewards arrived and lifted Gordon off her seat before giving her CPR and starting a defibrillator. “I turned around and looked at the lady and she was very pale and her lips were white,” the female passenger added. “At that point, my husband and I thought that she was dead.” She described Gordon as "limp" and asked “why didn’t they do that a half hour earlier?” An hour after Gordon's first gasps, they made an announcement asking if there were any doctor's or nurses on board. Now, Gordon's family are desperate for answers, with 7News reporting that her family have requested help from the federal government after the airline said they did everything they could. “I love her and will miss her so much,” Gordon's partner Rob Bray told the publication. “Mother to Cameron and Ashley. She will be so sorely missed by us all. “Her workmates at Wynyard Station are devastated.” A Qatar Airways spokesperson previously told the publication: “Regrettably, the lady could not be revived.” “Our thoughts are with the family at this difficult time.” Image: 7News/ Getty

Travel Trouble

"It's a sad world": Audacious act of thievery at cemetery

A cemetery located in southwest Sydney has been targeted by callous thieves, after a number of families have reported missing portions of their loved ones' memorial plaques. The theft primarily involves the removal of bronze vases, which are situated below the surface within these memorial plaques. It is suspected that a group of individuals orchestrated the theft in order to sell the items as scrap metal. As families grapple with their grief, they now must now contend with the shock of discovering that the resting places of their beloved ones have been desecrated by vandals. Sydney resident Nicole Futcher shared her experience after visiting her grandmother's memorial site, only to find that the bronze vase placed there was among the recent targets of theft. She told <a href="https://au.news.yahoo.com/cemetery-rocked-by-disgusting-act-from-opportunistic-thieves-023846896.html" target="_blank" rel="noopener">Yahoo News</a>: "I was in shock when I seen it was gone, then I seen many others around her missing as well. I thought maybe the cemetery was replacing them all." When Nicole spoke with ground staff to ask after the missing vases were, she was told she was not the only victim, and that they had ALL gone missing. "That was the last thing I would have thought had happened. It's a sad world." Adding insult to injury, the affected families have been offered hollow replacements – vases made from inferior, plastic materials – having already paid for the bronze vases that now lie in the hands of thieves. Forest Lawn Memorial Park, for its part, acknowledges the grievousness of the situation and has alerted the authorities. Regrettably, this incident is not the first instance of a cemetery being targeted by thieves with personal gain in mind. In 2019, a distressing event occurred in Queensland, where a cemetery north of Brisbane fell victim to the theft of more than 50 brass plates. The Caboolture and Districts Lawn Cemetery saw the removal of 52 brass plates and damage to six headstones in March of that year. The estimated value of the stolen plates from the headstones amounted to approximately $26,000. The news of this theft garnered strong reactions on social media, with many residents expressing their outrage. A sentiment of condemnation prevailed, as one woman stated, “What a despicable act and heartless thieves,” underscoring her personal connection to the matter due to her grandmother's burial in the same cemetery. “Some people just have no respect for anything anymore,” commented another, while a third wrote: “Total disrespect – how do they sleep at night?” Images: Facebook / Queensland Police

Legal

Reality TV star welcomes identical twin girls

Reality TV star Dani Dyer has welcomed two baby girls with her partner, footballer Jarrod Bowen. The Love Island UK winner, who won the show in 2018 with her ex-partner Jack Fincham in 2018, shared the happy news on her Instagram on Thursday. Dani didn't reveal the identical twin girls' names, but confirmed the date of their birth, May 22nd, in the caption. Dani is already mum to Santiago, two, who she shares with with ex Sammy Kimmence. Her Love Island UK co-stars were quick to send their congratulations, with season one winner Cara De La Hoyde writing, "Congratulations Dan they are beautiful ❤️." "Congratulations to your beautiful family ❤️," Zara McDermott added, while season four winner Molly-Mae Hague added, "Congratulations beautiful 😭😭😭." Dani is the daughter of English actor and presenter Danny Dyer, who's well known for his role in British soap EastEnders. Dani shared the news of her pregnancy with a sweet announcement post, showing her son Santiago holding a letter board with the ultrasound pictures of her new babies. <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-permalink="https://www.instagram.com/p/CnpWIihrD1x/?utm_source=ig_embed&utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/p/CnpWIihrD1x/?utm_source=ig_embed&utm_campaign=loading" target="_blank" rel="noopener">A post shared by ♡ Dani Dyer ♡ (@danidyerxx)</a> </div> </blockquote> "We have been keeping a little secret... Our little TWINS!" she wrote. "So excited to meet our babies and watch Santi be the best big brother.. The biggest surprise of our lives but feeling SO blessed.. our family is getting a lot bigger and we can’t wait." Just weeks after announcing the pregnancy, Dani confirmed the gender of their babies in another Instagram post. "A lot of you have been asking on the gender of our babies and we are so excited to share with you all that we are having identical twin girls. Half way our little darlings." Image credits: Instagram

Family & Pets

Inspiration, influence and theft: what the Ed Sheeran case can tell us about 70 years of pop music

a US court <a href="https://www.theguardian.com/music/2023/may/04/ed-sheeran-verdict-not-liable-copyright-lawsuit-marvin-gaye">ruled in favour of singer-songwriter Ed Sheeran</a>, agreeing his song Thinking Out Loud did not breach musical copyright. The high-profile court case, brought by the estate of soul singer Marvin Gaye, claimed Sheeran’s song was too similar to Gaye’s song Let’s Get It On. On the stand, Sheeran <a href="https://www.theguardian.com/music/2023/apr/28/ed-sheeran-sings-in-court-as-part-of-marvin-gaye-copyright-case">defended his songwriting process</a>, stating: “I draw inspiration from a lot from things in my life and family.” Sheeran’s case brought up some difficult questions around what we understand as inspiration and influence, and what we may hear as theft. Musical copyright cases are part of songwriting history. Radiohead’s Creep was found to be <a href="https://entertainment.time.com/2013/08/22/11-suspiciously-sound-alike-songs/slide/the-hollies-the-air-that-i-breathe-1974-vs-radiohead-creep-1992/">too similar</a> to the Hollies’ The Air That I Breathe, and in 2018, Lana Del Rey’s Get Free <a href="https://variety.com/2018/biz/news/lana-del-rey-claims-lawsuit-with-radiohead-is-over-watch-1202736177/">was found to plagiarise Creep</a>. Mark Ronson and Bruno Mars altered the credits to Uptown Funk to <a href="https://www.rollingstone.com/music/music-news/lawsuit-bmg-uptown-funk-royalties-gap-band-heirs-1234660379/">acknowledge the similarity</a> to The Gap Band’s Oops Upside Your Head. Here in Australia, the flute solo in Men at Work’s Down Under, which quoted the melody of folk song Kookaburra Sits in the Old Gum Tree, was <a href="https://www.theguardian.com/music/2010/jul/06/men-at-work-down-under">ruled as plagiarism</a>. In this case against Sheeran, the song’s chord progression was at the heart of the claim. The prosecution argued Sheeran’s chord progression was too similar to the chord progression of Gaye’s. But can we copyright a chord progression if it is used extensively in other pop songs? Gaye’s song uses four chords that gradually move upward (I-iii-IV-V). These same chords can be heard in the Beach Boys’ I Can Hear Music, the Seekers’ Georgy Girl, the Beatles’ I Feel Fine, in the Motown tune This Old Heart of Mine by the Isley Brothers, Elvis Presley’s Suspicious Minds, Cher’s Believe and ABBA’s Knowing Me Knowing You, among many others. This chord progression and many others are part of the songwriting toolkit of rock and pop and have been heard continuously over the past 70 years. <h2>The 12 bar blues</h2> A chord progression is the main instrumental part you hear in most pop music, usually played by a guitar, piano or synth. One of the oldest chord progressions in pop is the 12-bar blues – a looping pattern of three chords that is very identifiable. As the name suggests, this set of chords stems from early blues and was a way for musicians to easily play together and improvise. A version of this progression can be heard in Muddy Waters’ I’m Your Hoochie Coochie Man or John Lee Hooker’s Boom Boom. You can also hear this progression in a number of other pop songs – listen to verses of Queen’s I Want to Break Free and Kiss by Prince – both use the same chord progression, but sound very different to each other. More recently, Lizzo’s Better in Colour uses the 12-bar blues in a way that makes an old formula fresh. <h2>The ‘doo-wop’ progression</h2> The “doo-wop” progression has appeared in pop music for close to 80 years, and is named because most doo-wop songs feature this chord progression – it was an essential part of its sound. You can hear it in 1950s hits such as the Penguins’ Earth Angel and Frankie Lymon and the Teenagers’ Why Do Fools Fall in Love?. The strength of these chords means they are used in pop music of all kinds, including ELO’s Telephone Line, Don’t Dream it’s Over by Crowded House, Destiny’s Child’s Say My Name, Blank Space by Taylor Swift, and Flowers by Miley Cyrus. Despite its consistent use, these chords still cross genres and eras, and still catch our ears. Comedy act Axis of Awesome use a similar progression in their video for 4 Chords, where they cleverly play almost 50 different songs with a variation on these four simple chords. <iframe title="YouTube video player" src="https://www.youtube.com/embed/oOlDewpCfZQ" width="560" height="315" frameborder="0" allowfullscreen="allowfullscreen"></iframe> <h2>The I-IV-V (the ‘one, four, five’)</h2> Perhaps the most common chord progressions in rock and pop are those that use the I, IV and V chords in various combinations. They’re usually the first three chords you learn on an instrument and open up thousands of songs to play – from the rock and roll of Summertime Blues by Eddie Cochran, the garage rock of Wild Thing by the Troggs, the bubblegum of Hanson’s Mmmbop and the indie rock of Coldplay’s Yellow, to the modern pop of bad guy by Billie Eilish and good 4 u by Olivia Rodrigo. <h2>Going forward</h2> Rock, pop, blues, doo wop and other musical genres can often be defined by their use of repeated chord progressions. These chord progressions are part of a songwriter’s toolkit in a similar way to how an artist may use different paint brushes. As Sheeran’s lawyer Ilene Farkas <a href="https://www.theguardian.com/music/2023/may/04/ed-sheeran-verdict-not-liable-copyright-lawsuit-marvin-gaye">noted</a>, chord progressions are, "the letters of the alphabet of music […] these are basic musical building blocks that songwriters now and forever must be free to use." It is how these “building blocks” are used, and in what combinations, that gives us a great variety of pop songs over many decades. The true craft of great pop music is to take these formulas and turn them into something unique (while simultaneously making it sound easy). The ruling in Sheeran’s case supports the rights of musical artists to continue to use these progressions as part of a songwriter’s toolkit, and to build from the artists who came before them. It also acknowledges that influence and inspiration from previous works are part of the construction of the pop music we love. Image credits: Getty Images This article originally appeared on <a href="https://theconversation.com/inspiration-influence-and-theft-what-the-ed-sheeran-case-can-tell-us-about-70-years-of-pop-music-204747" target="_blank" rel="noopener">The Conversation</a>.

Music

Nick Kyrgios opens up about alleged Tesla theft

Nick Kyrgios has revealed how he has been impacted by the suspected theft of his Tesla after a man allegedly forced his mother to hand over the keys at gunpoint. The Aussie tennis star worked with police to track the bright green car after it was allegedly stolen on May 1. ACT Police said a 32-year-old Canberra man <a href="https://www.oversixty.com.au/news/news/nick-kyrgios-mother-held-at-gunpoint-during-alleged-car-theft" target="_blank" rel="noopener">threatened Kyrgios’ mother</a> Noralia with a gun and demanded she hand over the keys to her son’s $191,000 Tesla. Mr Kygrios is said to have tracked his car via the Tesla app where he was able to impose a speed limit, allowing police to locate and follow the vehicle. The tennis great broke his silence on Instagram about the ordeal. “Last couple days has been rough...haven’t slept much and battling a little,” he said. “Appreciative of all the support.” ACT police raided a property in Canberra’s south on May 2 as a part of their investigation. They found a shotgun that was thought to be the firearm used in the robbery as well as two others, a pistol and a .177 air rifle. Police also seized a rented BMW that was overdue for return, commercial-grade fireworks and “substances suspected of being illicit drugs”. Court documents viewed by NCA NewsWire revealed more details about the incident. Ms Kyrgios told police interviewers she was worried that the man would return and “blow a hole in the door”. The man faced the ACT Magistrates Court on May 2 and was charged with aggravated robbery, failing to stop a motor vehicle for police, driving while suspended, driving a motor vehicle without consent and obstructing/resisting public officials. Image credit: Instagram

Legal

Nick Kyrgios' mother held at gunpoint during alleged car theft

Nick Kyrgios' mother, Norlaila Kyrgios, has allegedly been held at gunpoint by a man who then stole the tennis star’s bright green Tesla in Canberra. The tennis star, his manager, Daniel Horsfall, and Ms Kyrgios were all at home when she heard a knock at the door. In a statement to the ACT Police, Ms Kyrgios said that she unlocked and partially opened the front door before she saw a long-barrel gun pointed at her. A man wearing all-black clothing and a face mask, demanded she hand over the keys to her son’s luxurious car and asked her to show him how to drive it, but she didn’t know how to since it wasn’t her vehicle. The man then got into the car, and Ms Kyrgios used this as an opportunity to “run back inside and scream for help”, before Kyrgios called triple zero. Speaking to police after the incident, Ms Kyrgios was "visibly shaken and frightened" and told them that "she was so fearful that he was going to return to the house and 'blow a hole in the door'". Kyrgios was allegedly able to track his car and impose a speed limit remotely via an app, which allowed police to follow it. After about 15 minutes police had managed to track the vehicle down to a street in the suburb of Watson. They then "approached the Tesla, drew their issued firearm and aimed it towards the defendant” who then sped away, and led them to engage in a “short pursuit”, police revealed. The pursuit eventually ended when police sealed off a street in Ainslie. Police said that the alleged car thief initially refused to get out but was arrested shortly after. The 32-year-old faced the ACT Magistrates Court where he was charged with aggravated robbery, driving a stolen motor vehicle, driving while suspended, and failing to stop for police. He was denied bail. Images: Instagram

News

Funeral director accused of stealing from dead woman

An 82-year-old woman, Teresa had to sadly lay her 56-year-old daughter Helen Moratias to rest after her untimely death. A devastated Teresa sensed something was off when she said the funeral director refused to open the casket at the church. "I was screaming and crying," Moraitis told A Current Affair. "I wanted to see my daughter and all my relatives wanted to see, to say goodbye.” After months of emotional torture, Teresa made the decision to exhume her daughter's remains from the above ground mausoleum. A Current Affair’s cameras were invited onto the scene, to bring to light what Teresa claims is the dark side of Australia’s unregulated funeral industry. After travelling to the mortuary facility, embalmers opened the casket to find Teresa’s naked remains in a blue body bag with her arm up behind her head. Thousands of dollars of gold jewellery and clothing that were given to the funeral director, Peter Tziotzis, were also missing. Despite paying for her daughter to be embalmed and plans for an open casket funeral, no preparation had been done on the corpse, according to mortuary staff who examined the remains. Teresa claimed on the day of the funeral, her family was told the casket had to be sealed shut as it was the coroner’s order. The family said the coroner later confirmed that no such order ever came about. "I feel betrayed," Teresa said. After Helen’s body was exhumed, detectives arrested Tziotzis, while allegedly finding the missing jewellery and clothes at the funeral parlour. Tziotzis released a statement, saying, “I wish to state in the clearest terms that A Current Affair’s version of events is incorrect and without factual basis. “I did not steal any jewellery or clothing, I did not fail to prepare Ms Moraitis’ daughter’s body for the funeral and burial and I was not dishonest in any way in my dealings with Ms Moraitis. “I also have not been charged with any criminal offence by Victoria Police.” Tziotzis still denies all claims. Image credit: A Current Affair

Legal

Julia Faustyna takes DNA test to prove wild identity claims

Julia Faustyna, the Polish woman who is convinced she is the missing Madeleine McCann, has reportedly taken a DNA test to prove her claim. However, in a stunning twist to the tale, Faustyna’s private investigation with spokesperson Dr Fia Johansson has led the young woman to consider the possibility that she may actually be another missing child - Livia Schepp, who went missing with her twin sister in Switzerland in 2011. “I’ve spoken to her about this and she is open to the fact she could be any missing child out there,” Dr Johansson said while speaking to The Sun. “Not just Madeleine. Julia wants to know the truth about who she is.” While Faustyna’s main argument has involved the physical similarities between herself and Madeleine McCann, one of the pivotal points in her story is how she recognised a suspect from McCann’s case - a man she has named as her own abuser. “One of the reasons she made the connection to Madeleine is because one of the suspects in Madeleine’s case looks very much like a man who she says abused her as a child,” Dr Johansson explained. “But the same man could be connected to Madeleine and other missing children, this is how predators and traffickers work.” “Julia has taken a DNA test,” she confirmed, “and we are investigating if it’s possible to check her DNA with that of [the] missing Livia. We are investigating all possibilities at this stage.” Livia Schepp - and her twin sister Alessia - went missing when they were six, after their father abducted them from Switzerland in 2011. Days later, he took his own life in Italy, and when police discovered the body, the twins were nowhere to be seen. Faustyna, who claims to have post-traumatic amnesia due to sexual abuse in her childhood, lacks clear recollection of her formative years, and has stated while she can recall holidays, she doesn’t “recall my mother being there, for example, or my stepfather, much less my dad.” Whether or not any of Faustyna’s theories are true, the public will have to keep speculating, as no results have yet been shared. However, Faustyna’s viral “@iammadeleinemccan”, where she was sharing updates and side-by-side comparisons with her followers, has since been deleted from the platform. The removal coincides with reports of the DNA test, and after Faustyna closed both her Facebook and Tiktok accounts, disputing her parent’s claim that she was only in this for attention when she said “if you don’t like me, please unfollow. I don’t want fans or followers.” Images: Instagram, Twitter

News

“Some lowlife took our home”: Retirees wake to devastating theft

Retirees Sue and Tony Hill have been living out of a campervan and driving it on the Big Lap around Australia. They returned home to North Adelaide recently to stop in and visit family when disaster struck. Their home was stolen right from under their noses. "I came out Monday morning around 7.30 ish and it was gone,” Sue Hill told <a href="https://www.9news.com.au/national/couple-move-life-into-campervan-and-have-everything-stolen/ac17b057-a51d-4b04-b366-9c63307b2984" target="_blank" rel="noopener">NineNews</a>. "Some lowlife took our home ... Our life has just been ripped out from under us.” The grey nomad couple, who had spent their retirement savings to buy the camper trailer for their Big Lap around the country, were absolutely distraught – but now an incredible act of charity has given them new hope, and a brand new trailer to call home. "We'd given up hope that we'd ever get back on the road again, which is what we love doing. We'd given up hope that we'd ever get our camper trailer back," Mrs Hill said. But then the owner of local business Eagle Camper Trailers – Brent – heard about the plight of the Hills and just had to act. "I heard it, I watched it and I thought 'I can't believe this'," Brent told NineNews. "The fact that someone had taken their home, I needed to try and do something to sort it out." The Hills also turned to social media to try and track down the stolen trailer or the thieves, with no luck. "I've been on the truckie pages trying to get the truckies of Australia to help," Sue and Tony's daughter Janene Harper said. "Through COVID and the rental crisis, they lived homeless for more than 12 months," she said, on the family’s Facebook fundraiser page. "They decided to invest every last dollar they had to purchase a portable home, something they could call home. They were required to sell most of their belongings to be able to move in." The Hills are now incredibly thankful to Brent at Eagle Camper Trailers for his generosity, and for helping to put them back on their feet and into a new home. Images: NineNews

Real Estate

"You can’t ever get them back": Granddaughter’s plea for stolen ashes

Grieving teenager Jakoda Williams-Boyce has pleaded with thieves for the return of her grandmother’s ashes. The theft occurred when the 19-year-old from Adelaide left her nana’s remains in the boot of her grey Mitsubishi Lancer after parking it on Amadeus Crescent in Christie Downs. The car was stolen at some point between Thursday evening and Friday morning with the urn still inside. Jakoda had been living with her grandmother, Sharon, when she passed away at the age of 64. The family had been in possession of Sharon’s remains ever since, until they came under Jakoda’s care four weeks ago. In images shared with 9News, Jakoda can be seen cradling the precious urn, and smiling in an old photograph with her nana alongside the caption “10 months today. I love you my angel.” “I will say, it is my own fault for putting that personal item there, but I didn’t think twice. I shouldn’t have to worry about people on the street,” the teenager admitted, speaking to 9News. It remains unclear how thieves got their hands on the car, as the keys and the car’s battery remain with Jakoda, though glass was reportedly scattered across the scene. Police have so far been unable to locate the vehicle, but their search continues, with Jakoda issuing an emotional plea to the thieves for the safe return of her nana, confessing that it feels like losing her beloved grandmother for a second time. “Me, personally, I wouldn’t be able to sleep at night knowing that I’ve stolen the car with someone’s cremations in the backseat,” she said, “you can’t ever get them back.” Jakoda’s interests lie solely in getting the ashes back, with the distraught teenager telling reporters, “I would ask the question of ‘why’, but I wouldn’t go any further. “Hopefully, when I do get them back, I want to take them to the funeral director and put them into, like, the ground. So I can't lose them." Image: 9News

Family & Pets

Australian Olympic champion convicted of theft

Australian Olympic champion and former diver Chantelle Newbery has been convicted of theft for stealing groceries from Woolworths. Newbery, who won a gold medal at the 2004 Olympics in Athens, was caught walking out with $383 worth of unpaid groceries in Towoomba, Queensland, last July. She later told the police that she had no food or money to pay for it, according to the <a href="https://www.thechronicle.com.au/news/toowoomba/chantelle-lee-newberys-dive-into-drug-use-ends-in-stealing-groceries-and-a-jail-term/news-story/50c6008c1d67130b170904c028bf9318" target="_blank" rel="noopener">Toowoomba Chronicle</a>. Newbery, now 45, has also pleaded guilty to driving on a suspended licence, on December 5, but was released on immediate parole after being jailed for eight months. The reason why she wasn't jailed, according to Magistrate Kay Phillipson, was because at that time she was caring for her 18-month-old niece. The Magistrate told her, “you really need to turn things around". Newbery's solicitor Alysha Jacobsen told the court that the former diver had turned to drugs following her divorce from Robert Newbery. After the divorce, she also faced the death of her new partner and her mother. In 2014, she told Channel 9's A Current Affair that she resorted to drugs after her mother’s death. She also said that she had been suffering from chronic depression and had tried to commit suicide multiple times. “There have been times in the past few weeks especially around the time of the court case I knew I was slipping into a place where I was a little bit worried and I did actually go to a GP and get another referral to get help again,” she said. In 2021, she was caught with an ice pipe after being stopped for shoplifting from Woolworths and Target, to which she pleaded guilty for stealing and possessing drug utensils. Newbery was the first Australian Olympic diver to win gold in over 80 years at the 2004 Olympics. She received the Medal of the Order of Australia in 2005. Image: Getty <hr /> If this article has raised issues for you, or if you’re concerned about someone you know, you can call these support services, 24 hours, 7 days: Lifeline: 13 11 14 Suicide Call Back Service: 1300 659 467 Kids Helpline: 1800 551 800 (for people aged 5 to 25) MensLine Australia: 1300 789 978 StandBy - Support After Suicide: 1300 727 24

Legal

“Such lowlifes”: Alleged thieves steal charity donation tin

Two people are wanted by police over the theft of a charity donation bin captured on CCTV. The footage shows a man and woman standing next to each other inside the Gold Coast’s Club Helensvale on Friday, November 25, when he allegedly steals the tin for a charity aimed at preventing youth violence. In the video, released by police in an appeal to find the pair, the man is seen subtly and slowly placing it in a bag slung across his shoulder. Police are urging the man and woman to come forward. The tin that was allegedly stolen was collecting donations for the Jack Beasley Foundation, set up after 17-year-old Jack Beasley died from being stabbed in the heart on the Gold Coast. The charity has also shared an image of the suspected thieves on social media in a bid to identify them. “Hey guys if anyone recognises these two please contact the QPS or send us a message. They stole Jacko’s Donation box from the bar at Club Helensvale on Friday night. Thanks 🙏,” the <a href="https://www.facebook.com/JackBeasleyFoundation/posts/pfbid0fgzrLvGVinZfzjqEweJfTqr3RbMKvnT4qHjDcKvUW5Xw1KascA7AiAmDqToEnbqsl" target="_blank" rel="noopener">post</a> read. Followers were quick to share their anger in the comments, with some providing information about where they had seen the man before. “Such lowlifes maybe they should get a job instead of stealing from charities,” one person wrote. “I hope they get found, shame on them,” another said. One commenter even alleged that the man had committed similar acts before, stealing the “dog donation box” from the Boathouse Tavern in Coomera “the other day”. “Stealing from charity is pitiful and devious! They may have taken dollars and cents, but they have no sense,” another said. Images: Queensland Police Service

Legal

Kochie blasts online scammers using his identity

David "Kochie" Koch has blasted the government for an urgent response to the drastic rise in online scammers. Speaking with the Assistant Treasurer Stephen Jones on Sunrise, Kochie was fired up when he shared that his identity has been used online to scam people "for years". Kochie predicted that Australians have lost over $4 billion to scammers in 2022 so far, with Jones saying that number is probably larger than first estimated. A furious Kochie responded, "What are you going to do about it? Because look, scammers have been using my photo and dodgy quotes from me to scam people for years." "They appear on Facebook, they appear on LinkedIn... and I can do nothing about it." Recalling a recent issue with a scammer, Kochie continued, "I had a bloke on the weekend contact me through Facebook, abusing me because he'd lost $30,000 on a scam that used my picture and dodgy comments from me." Assistant Treasurer Jones went on to say that the law currently doesn't allow for punishments of online media when it comes to scams, but the government is pushing to amend such legislation. He said, "We need to drag the law into the 21st century... Social media platforms need to be accountable for the material they are publishing." Kochie said that was "music to his ears", saying that "not only are people losing thousands of dollars, but it damages my reputation. I seem photo online saying things saying things I never said about bitcoin or whatever, and people lose money because they think it's me." Assistant Treasurer Jones assured Kochie that the government will be cracking down on these "economic criminals at the source", with Kochie again saying, "It's just heart-breaking for our viewers who get sucked in by these sorts of things." Image credits: Sunrise

Money & Banking

Hugh Sheridan’s ex-husband’s identity revealed

The identity of the high profile entertainer who was <a href="https://oversixty.com.au/lifestyle/relationships/zero-regrets-hugh-sheridan-reveals-secret-marriage" target="_blank" rel="noopener">married to Aussie actor Hugh Sheridan</a> has been revealed. The former Packed to the Rafters actor, who is non-binary and uses they/them pronouns, appeared on Jessica Rowe's Big Talk Show podcast and said they were married for nine years to an unidentified actor. But fans did a little digging and have concluded that Hugh, 37, was married to 35-year-old Dynasty star and Venezualan actor Rafael de la Fuente. It is understood that at the time of the relationship, Rafael was openly gay and Hugh was yet to share that he too was gay. On the podcast, Hugh said he did not want to reveal their former partner’s name but said the pair tied the knot on July 11, 2011 and were married for nine years. <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/p/Cf14Mh9OQeV/?utm_source=ig_embed&utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/p/Cf14Mh9OQeV/?utm_source=ig_embed&utm_campaign=loading" target="_blank" rel="noopener">A post shared by Rafael De La Fuente (@rafaeldlf)</a> </div> </blockquote> “I can't say their name because they were in the same industry, so. Couldn't really be specific about that, but I was married,” Hugh said. “We were solidly together for about seven years and then the last couple of years we were travelling a lot and it got too hard and, but we're still very good friends.” Hugh confessed that close family and friends knew about the marriage but they decided to keep it private from the public. “I was finding out if you don't speak out about your private life, people can assume that you're ashamed or that you've got some sort of an agenda or that you are denying other people their self expression by not talking about it.” Image: Instagram

Relationships

Optus data breach: regulatory changes announced, but legislative reform still needed

In response to Australia’s biggest ever data breach, the federal government will <a href="https://ministers.treasury.gov.au/ministers/jim-chalmers-2022/media-releases/changes-protect-consumers-following-optus-data-breach" target="_blank" rel="noopener">temporarily suspend regulations</a> that stop telcos sharing customer information with third parties. It’s a necessary step to deal with the threat of identify theft faced by 10 million current and former Optus customers. It will allow Optus to work with banks and government agencies to detect and prevent the fraudulent use of their data. But it’s still only a remedial measure, intended to be in place for 12 months. More substantive reform is needed to tighten Australia’s loose approach to data privacy and protection. <h2>Changing regulations, not legislation</h2> The changes – <a href="https://ministers.treasury.gov.au/ministers/jim-chalmers-2022/media-releases/changes-protect-consumers-following-optus-data-breach" target="_blank" rel="noopener">announced</a> by Treasurer Jim Chalmers and Federal Communications Minister Michelle Rowland – involve amending the <a href="https://www.legislation.gov.au/Details/F2022C00329" target="_blank" rel="noopener">Telecommunications Regulation 2021</a>. This a piece of “subordinate” or “<a href="https://peo.gov.au/understand-our-parliament/your-questions-on-notice/questions/whats-the-difference-between-a-legislative-act-and-a-regulation/" target="_blank" rel="noopener">delegated law</a>” to the <a href="https://www.legislation.gov.au/Series/C2004A05145" target="_blank" rel="noopener">Telecommunications Act 1997</a>. Amending the act itself would require a vote of parliament. Regulations can be amended at the government’s discretion. Under the Telecommunications Act it is a criminal offence for telcos to share information about “the affairs or personal particulars of another person”. The only exceptions are sharing information with the <a href="https://www.infrastructure.gov.au/media-communications-arts/phone/services-people-disability/accesshub/national-relay-service" target="_blank" rel="noopener">National Relay Service</a> (which enables those with hearing or speech disabilities to communicate by phone), to “authorised research entities” such as universities, public health agencies or electoral commissions, or to police and intelligence agencies <a href="https://www.homeaffairs.gov.au/about-us/our-portfolios/national-security/lawful-access-telecommunications/telecommunications-interception-and-surveillance" target="_blank" rel="noopener">with a warrant</a>. That means Optus can’t tell banks or even government agencies set up to prevent identity fraud, such as the little-known <a href="https://www.afr.com/companies/telecommunications/banks-treasury-team-up-to-protect-optus-customers-20220928-p5blm3" target="_blank" rel="noopener">Australian Financial Crime Exchange</a>, who the affected customers are. <h2>Important safeguards</h2> The government says the changes will only allow the sharing of “<a href="https://ministers.treasury.gov.au/ministers/jim-chalmers-2022/media-releases/changes-protect-consumers-following-optus-data-breach" target="_blank" rel="noopener">approved government identifier information</a>” – driver’s licences, Medicare and passport numbers. This information can only be shared with government agencies or financial institutions <a href="https://www.apra.gov.au/register-of-authorised-deposit-taking-institutions" target="_blank" rel="noopener">regulated by</a> the Australian Prudential Regulatory Authority. This means Optus (or any other telco) won’t be able to share information with the Australian branches of foreign banks. Financial institutions will also have to meet strict requirements about secure methods for transferring and storing personal information shared with them, and make undertakings to the Australian Competition and Consumer Commission (<a href="https://www.accc.gov.au/publications/section-87b-of-the-competition-consumer-act" target="_blank" rel="noopener">which can be enforced in court</a>). The information can be shared only “for the sole purposes of preventing or responding to cybersecurity incidents, fraud, scam activity or identify theft”. Any entity receiving information must destroy it after using it for this purpose. These are incredibly important safeguards given the current lack of limits on how long companies can keep identity data. <h2>What is needed now</h2> Although temporary, these changes could be a game changer. For the next 12 months, at least, Optus (and possibly other telcos) will be able to proactively share customer information with banks to prevent cybersecurity, fraud, scams and identity theft. It could potentially enable a crackdown on scams that affect both banks and telcos – such as <a href="https://www.ato.gov.au/General/Online-services/Identity-security-and-scams/Scam-alerts/" target="_blank" rel="noopener">fraudulent texts and phone calls</a>. But this does not nullify the need for a larger legislative reform agenda. Australia’s data privacy laws and regulations should put limits on how much data companies can collect, or for how long they can keep that information. Without limits, companies will continue to collect and store much more personal information <a href="https://theconversation.com/what-do-tiktok-bunnings-ebay-and-netflix-have-in-common-theyre-all-hyper-collectors-187274" target="_blank" rel="noopener">than they need</a>. This will require amending the federal Privacy Act – subject to a <a href="https://www.ag.gov.au/integrity/consultations/review-privacy-act-1988" target="_blank" rel="noopener">government review</a> now nearing three years in length. There should be limits on what data companies can retain, and how long, as well as bigger penalties for non-compliance. We all need to take data privacy more seriously. This article originally appeared on <a href="https://theconversation.com/optus-data-breach-regulatory-changes-announced-but-legislative-reform-still-needed-192009" target="_blank" rel="noopener">The Conversation</a>. Image: Shutterstock

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How a new art project in Bathurst is embracing the many identities of the town

For many, Bathurst’s Mount Panorama is exclusively a car racing venue. For Indigenous Australians it is a place called Wahluu, where First Nations women once offered their sons for tribal initiation. It is a cherished Wiradyuri territory that hosts dreaming and creation stories. Earlier this year, further development on the site <a href="https://www.sbs.com.au/nitv/article/2021/05/03/wahluu-womens-site-be-protected-says-federal-environment-minister">was blocked</a>, with the federal government acknowledging the cultural significance of the location for the Wiradyuri people. In some respects, the conflicting identity of Bathurst’s mountain can be reconciled through the forms of masculinity it represents: the male-centric sport of car racing – so central to the town’s present-day image – and the rite of passage of young Aboriginal men into adulthood. Now, a new art project, <a href="https://kateofthesmiths.com.au/fast-cars-dirty-beats/">Fast Cars & Dirty Beats</a> is navigating these cultural differences by fostering a sense of community. Created by artistic director Kate Smith, Fast Cars & Dirty Beats embraces Mount Panorama’s/Wahluu’s dual identity that, for some, is representative of a cultural divide between black and white Australia. Smith’s vision is not culturally constrained, but rather expressive of a location that is complex and multicultural. Liaising with Bathurst Wiradyuri Elders, Smith and her artistic collaborators have developed a series of community-focused projects revolving around the cultural significance of Wahluu/Mount Panorama. One of these initiatives, Mountain Tales, was launched on the first of July as part of Bathurst’s Winter Festival. Mountain Tales is the culmination of a year-long community engagement connecting local schoolchildren, teachers and parents with skilled craftspeople and musicians, fashioning decorative lanterns and the cultivation of a drumming community. A lantern procession Although it was raining for the July launch, more than 300 locals formed a dramatic lantern procession on the cold winter’s night. I was swept up in the pageantry unravelling across the CBD, eventually settling at Bathurst’s historical <a href="https://tremainsmill.com/">Tremain’s Mill</a>. Here the community proudly displayed their beacons of light, paying homage to the Chinese presence in Bathurst since the 1800s. Supporting the procession, Rob Shannon’s drummers created a collective heartbeat, fostering a sense of joy and belonging. After this ceremony of light and sound, members of the community told stories about the significance of Mount Panorama/Wahluu. Yarns were shared concerning the mountain being a place where locals experienced a first kiss or participated in some youthful skylarking. <figure class="align-center zoomable"><a href="https://images.theconversation.com/files/473106/original/file-20220707-22-kkwl50.jpg?ixlib=rb-1.1.0&q=45&auto=format&w=1000&fit=clip"><img src="https://images.theconversation.com/files/473106/original/file-20220707-22-kkwl50.jpg?ixlib=rb-1.1.0&q=45&auto=format&w=754&fit=clip" sizes="(min-width: 1466px) 754px, (max-width: 599px) 100vw, (min-width: 600px) 600px, 237px" srcset="https://images.theconversation.com/files/473106/original/file-20220707-22-kkwl50.jpg?ixlib=rb-1.1.0&q=45&auto=format&w=600&h=800&fit=crop&dpr=1 600w, https://images.theconversation.com/files/473106/original/file-20220707-22-kkwl50.jpg?ixlib=rb-1.1.0&q=30&auto=format&w=600&h=800&fit=crop&dpr=2 1200w, https://images.theconversation.com/files/473106/original/file-20220707-22-kkwl50.jpg?ixlib=rb-1.1.0&q=15&auto=format&w=600&h=800&fit=crop&dpr=3 1800w, https://images.theconversation.com/files/473106/original/file-20220707-22-kkwl50.jpg?ixlib=rb-1.1.0&q=45&auto=format&w=754&h=1005&fit=crop&dpr=1 754w, https://images.theconversation.com/files/473106/original/file-20220707-22-kkwl50.jpg?ixlib=rb-1.1.0&q=30&auto=format&w=754&h=1005&fit=crop&dpr=2 1508w, https://images.theconversation.com/files/473106/original/file-20220707-22-kkwl50.jpg?ixlib=rb-1.1.0&q=15&auto=format&w=754&h=1005&fit=crop&dpr=3 2262w" alt="A paper lantern in the shape of a car." /></a><figcaption>Cars are central to Australia’s image of Bathurst – but they’re not the whole story. Kate Smith</figcaption></figure> Wiradyuri Elder Wirribee Aunty Leanna Carr-Smith explained to the group how the area plays host to both women’s and men’s business. But such stories are only for the ears of Indigenous women and men. There is a secrecy about Wahluu. Some stories are off limits to white Australians. Wiradyuri Ngayirr Ngurambang – Sacred Country The most breathtaking project launched at the Mountain Tales event is Aunty Leanna/Wirribee and Nicole Welch’s collaboration with Smith, <a href="https://www.dropbox.com/s/4hanss4771t8aim/SacredCountryV6_withAudio.mp4?dl=0">Wiradyuri Ngayirr Ngurambang – Sacred Country</a>, a film emblazoned across Tremain’s Mill. The old mill precinct is a reminder of colonisation and its violence. For this occasion it operated as a backdrop through which Indigenous and non-Indigenous Australians connected. Beaming the film’s panoramic landscapes across this built environment juxtaposed the two cultures. Considering the urgency of global warming, the film brings together drone footage of Wahluu/Mount Panorama and aerial photography of other Indigenous landscapes in the region. It is an ethereal perspective. The soundscape is as rich and textured as the landscape, conveying an extraordinary, yet fragile, beauty. <figure class="align-center zoomable"><a href="https://images.theconversation.com/files/473108/original/file-20220707-12-yw20iu.jpg?ixlib=rb-1.1.0&q=45&auto=format&w=1000&fit=clip"><img src="https://images.theconversation.com/files/473108/original/file-20220707-12-yw20iu.jpg?ixlib=rb-1.1.0&q=45&auto=format&w=754&fit=clip" sizes="(min-width: 1466px) 754px, (max-width: 599px) 100vw, (min-width: 600px) 600px, 237px" srcset="https://images.theconversation.com/files/473108/original/file-20220707-12-yw20iu.jpg?ixlib=rb-1.1.0&q=45&auto=format&w=600&h=516&fit=crop&dpr=1 600w, https://images.theconversation.com/files/473108/original/file-20220707-12-yw20iu.jpg?ixlib=rb-1.1.0&q=30&auto=format&w=600&h=516&fit=crop&dpr=2 1200w, https://images.theconversation.com/files/473108/original/file-20220707-12-yw20iu.jpg?ixlib=rb-1.1.0&q=15&auto=format&w=600&h=516&fit=crop&dpr=3 1800w, https://images.theconversation.com/files/473108/original/file-20220707-12-yw20iu.jpg?ixlib=rb-1.1.0&q=45&auto=format&w=754&h=649&fit=crop&dpr=1 754w, https://images.theconversation.com/files/473108/original/file-20220707-12-yw20iu.jpg?ixlib=rb-1.1.0&q=30&auto=format&w=754&h=649&fit=crop&dpr=2 1508w, https://images.theconversation.com/files/473108/original/file-20220707-12-yw20iu.jpg?ixlib=rb-1.1.0&q=15&auto=format&w=754&h=649&fit=crop&dpr=3 2262w" alt="Film still." /></a><figcaption>Projected onto the wall of Tremain’s Mill, Wiradyuri Ngayirr Ngurambang – Sacred Country is a meeting of Indigenous landscapes with colonial Australian history. Kate Smith</figcaption></figure> Wiradyuri Ngayirr Ngurambang – Sacred Country also explores shared understandings between First Nations and non-First Nations women. Their interracial connection is enacted through a seamless editing style that bridges the Tarana landscape to the Wahluu/Macquarie River, and then eventually to Wahluu/Mount Panorama. The film’s boundless landscapes evoke an all-embracing hospitality that traverses cultural differences. Sometimes the imagery creates vaginal shapes that feminises the country. The land and its creatures come across as alive and vibrant. Sky and earth are mirrored, inspiring our contemplation of eternity and the Indigenous custodianship of Country. Departing later that night, I pondered eternity. One lifetime is nothing compared to 65,000 years of Indigenous connection to Country. This awareness was both profound and comforting. But the night of collective celebration and storytelling also encouraged me, and no doubt others, to delight in life’s briefest moments. Wiradyuri Ngayirr Ngurambang – Sacred Country is playing at Tremain’s Mill, Bathurst, until July 17. <img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/185860/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /> <a href="https://theconversation.com/profiles/suzie-gibson-111690" target="_blank" rel="noopener">Suzie Gibson</a>, Senior Lecturer in English Literature, <a href="https://theconversation.com/institutions/charles-sturt-university-849" target="_blank" rel="noopener">Charles Sturt University</a> This article is republished from <a href="https://theconversation.com" target="_blank" rel="noopener">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/how-a-new-art-project-in-bathurst-is-embracing-the-many-identities-of-the-town-185860" target="_blank" rel="noopener">original article</a>. Image: Kate Smith

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How a new art project in Bathurst is embracing the many identities of the town

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Entertainment

Travel

Health

Lifestyle

Finance

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Keep up to date

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New twist in real identity of "elderly" shoplifter

Heartless theft from "Garden of Little Angels"

Thief returns stolen truck with note of apology – and gifts!

How mistaken identity can lead to wrongful convictions

Woman's identity confirmed after tragic death on Qatar Airways flight

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Reality TV star welcomes identical twin girls

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Nick Kyrgios opens up about alleged Tesla theft

Nick Kyrgios' mother held at gunpoint during alleged car theft

Funeral director accused of stealing from dead woman

Julia Faustyna takes DNA test to prove wild identity claims

“Some lowlife took our home”: Retirees wake to devastating theft

"You can’t ever get them back": Granddaughter’s plea for stolen ashes

Australian Olympic champion convicted of theft

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How a new art project in Bathurst is embracing the many identities of the town

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